The exploration of the deeper side of techno by Dosem, since busting onto the scene almost 10 years ago, has seen him clock up countless air miles, release a string of hit club tracks and earn accolades from many of his peers, who deem him to be one of the most influential underground Spanish DJs in the scene today. The demand for Dosem’s infusion of deep textured sounds, relentless precision drums and driving rhythms which make up his club cuts that are making dance floors shake the world over shows no sign of slowing.

First emerging in 2008 with a number of early releases, it was his eloquently carved club hit ‘Silent Drop’ that was released on Technasia’s label SINO in 2009 which first cemented his name into the consciousness of fans of deep and soulful club music. But it was the release of the cosmic classic ‘Beach Kisses’ in 2009 via Joris Voorn’s influential Green label that confirmed his position as one of the scenes leading new artists. But the true marker to Dosem’s potential came in 2011 when he unveiled his critically acclaim, debut album called ‘Parallel.’ Hinting at his rich pallet, he delivered atmospheric techno, with sweeping pads conjuring epic, ethereal soundscape and laid down a blueprint for the Dosem sound, that had been steadily maturing, for the coming years.

A host of releases followed, revisiting labels which felt like extended family, such as Carl Cox’s Intec and Coyu’s Suara as well as making new bonds with releases on US label Halocyan and Gregor Tresher’s ‘Break New Soil’ label. During this period he dropped his third, full-length artist album ‘City Cuts’ in 2014. The accomplished release touched upon influences running throughout the Dosem sound. The referencing of urban life harked back to an earlier era on electronic music looking to the earlier Detroit techno pioneers use of music to capture the imagery of the city’s industrial heritage, the synth lead explorations of sound undertaken by artists such as Mike Oldfield and William Orbit and Vangelis’s conjuring of a dystopian future with his Oscar award winning scores are all prevalent.

Most recent releases, from his remix of Hot Since 82’s ‘Planes & Trains’ which reached No.1 in Beatports Techno charts to working his deep house magic on Umek & Mike Vale’s ‘All I Want’- that has kept dancefloors rolling deep into 2015 and upon its release taking the #1 spot on Beatport’s deep house chart – make it apparent that the demand for his productions shows no sign of slowing and thankfully for his fans, neither does the rate at which he produces such seismic beats. This summer saw his most prolific Ibiza schedule to date taking apart Sankeys, Blue Marlin and Privilege Vista Club, as well as Ushuaïa, Space and Pacha on previous visits to the island, Dosem’s versatility between festival annihilator and beach party connoisseur, magnifies his appeal and his dexterity when crowd reading and critically knowing when to play the right record at the right time have left audience in raptures.